BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd


SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Tuesday the 20th of April 2004 / kl 19:00 / GRATIS entre
AFLYST - Neptune (us)
AFLYST, snøft, snøft... Det er også den lave dollarkurs. #!:/%

Efter-maden-koncert og så er det endda gratis....

Neptune fra Boston, USA, er et skramlet, noisy, kunstskrotpunk band from Boston US som spiller på hjemmesvejsede instrumenter og gamle olietønder.... Så kom og se scenen spækket med gammel skrot og metal, der laver lyde...

".....Purveyors of scrap metal rock, Boston-based band Neptune are known for their jagged melodies as well as their jagged instruments. Sculptor and guitarist Jason Sanford fabricates large, heavy, and menacing looking instruments that have an evident history as circular saw blades, gas tanks, oil drums, bicycle parts, VCR casings and miscellaneous scrap ephemera. These creations, which resemble "Everything from torture devices to a Duchamp installation" (Nashville Scene), are only part of Neptune's visceral and intense live show. "Playing a good show comes before personal safety sometimes," says Sanford, "which I think is something the audience enjoys" (Casco Bay Weekly). Originally a sculpture project, the music has become as eclectic as the instruments, blending the quirks of Gang of Four, the pounding of Einstuerzende Neubauten, the dissonant melodies of The Ex and something "harshly seductive, like factory noise" (Chicago Reader). Cuisinart beats, angular guitars, disjointed vocals and steel-mill-falling-off- of-a-cliff percussion form noisy art-rock that you can almost dance to....."