BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd


SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Wednesday the 17th of September 2014 / kl 19:00 / GRATIS entre
Documentary Evening:
Planet Ocean

Home is a 2009 documentary by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet.

Production:
Home was filmed in various stages due to the expanse of the areas portrayed. Taking over eighteen months to complete the film, director Yann Arthus-Bertrand and a camera man, a camera engineer and a pilot flew in a small helicopter through various regions in over fifty countries. The filming was done using high-definition "Cineflex" cameras which were suspended from a gyro-stabilized sphere from rails on the base of the helicopter. These cameras, originally manufactured for army firing equipment, reduce vibrations helping to capture smooth images, which appear as if they had been filmed from crane arms or dollies. After almost every flight, recordings were immediately checked to ensure they were usable.[4] After filming was complete, Besson and his crew had over 488 hours of footage to edit.

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