BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd


SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Sunday the 12th of April 2015 / kl 16:00 / GRATIS entre
Sunday Movie Matinée:
La estrategia del caracol

La Estrategia del Caracol (English: The Strategy of the Snail) is a 1993 comedy-drama film directed and produced by Colombian filmmaker and director Sergio Cabrera. The film is starred by Frank Ramírez, Florina Lemaitre, Humberto Dorado, Fausto Cabrera and Carlos Vives.

The film is a winner of the Berlin International Film Festival and the Biarritz Film Cinema Festival of Latin America. The film deals with the hardships of low income class families in Bogotá. The breach between rich and poor and their interactions in a highly stratified social system.

The Plot:

This Colombian ensemble comedy, scathingly examines violence and official corruption in the tumultuous Latin American country. The story is told in flashback. In Colombia there is a law that states if an abandoned estate is occupied by squatters for a certain period of time, the land becomes theirs by default (at the turn of the century, many wealthy landowners left their farms as the country became urbanized).

The law becomes the basis of conflict when the original owners of the 48 room mansion the Olive House, aka "The Coop" by the squatters, come to reclaim it. The squatters there resist. A lawyer delays the eviction. Meanwhile a former theatrical stage manager devises an ingenious plot. The tenants, using pulleys and levers, take apart the house leaving only the facade. As they work, the personal quirks of each squatter and his or her relationship with the others are revealed.