Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.
Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.
We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.
The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.
Oslo-based SIBIIR saw first light in 2014, and has been polishing their own special brand of blackened hardcore ever since. Their debut 7” from 2015 gathered superb feedback and manifested from day one the signature of SIBIIR.
Taking their name from Siberia in Russia, which has the coldest populated town on earth, definitely suits their style. Cold and technical metal with hints of Hardcore, Thrash, Black gaze metal, and a tasteful, fearless joy of pushing genre boundaries.
Their debut album came out in December 2016, through Oslo-based cred-label Fysisk Format, to raving reviews. From Bekmörke’s second wave of black metal and hardcore fusion, via the relentless tempo of Beat Them To Death, to the early Mastodon-esque Erase & Adapt, SIBIIR’s debut album reeks of creativity and headbangable riffs.
The band stands alone in their sound, blending genres so flawlessly that it seems like second nature to them. Their S/T debut’s sonic output is so heavy and full of energy that one will crave seeing them live before the opening track Bekmörke is even finished, and their critically acclaimed live shows both at clubs and festivals surely have given them quite a reputation so far - even earning them a tour in Europe with Kvelertak, and opening for Enslaved.
SIBIIR comes highly recommended for people that are pissed off and want to stay that way.
LLNN invites you to travel into the unknown realms of outer
space with a specific sound of post-apocalyptic, claustrophobic
hardcore metal combined with eerie sci-fi elements and massive drones.
LLNN have recently released "Marks/Traces" via PELAGIC RECORDS (The Ocean, Cult Of Luna, MONO).
Proletarian narcissism, kafkaesque individualism and narrow-minded upperclass-modernism.
HIRAKI is society decay in a futuristic perspective played loud!
Ex-members of Liserstille. The next big thing out of Aarhus.
MILL (Local):
Udtrykket i det nyudklækkede Mill svinger både mod det dunkle og atmosfæriske, såvel som det halsbrækkende groovy.
Der loves dugfrisk knuse-jordklodemusik uden for kategori
Tidligere kendt som Fuckerblast. Nu bare endnu federe...
APOTHENIA (Local):
Apothenia has deep interest in space travel and the infinity of the universe. On their latest EP, Aniara, Apothenia retells Henry Martinson's dystopia of the spaceship, Aniara, that is lost in space after a tragic accident. The genre is a mix of progressive heavy metal and melodic rock.
