Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.
Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.
We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.
The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.
The Great Dismal, NOTHING’s new full-length album explores existentialist themes of isolation, extinction, and human behavior in the face of 2020’s vast wasteland. Closing in on the band’s ten-year mark, frontman Domenic Palermo finds himself stringing together songs of misanthropic tales of Philadelphia with a refined and refreshed take on NOTHING’s classic sound. “The Great Dismal refers to a swamp, a brilliant natural trap where survival is custom fit to its inhabitants,” Palermo states. “The nature of its beautiful, but taxing environment and harsh conditions can’t ever really be shaken or forgotten too easily.” The ever progressive NOTHING keep true to their chaotic outlook on life, keeping a keen eye to avoid repetition. With a radical cast of talented contributors such as harpist Mary Lattimore, classical musician Shelley Weiss, and singer/songwriter/producer Alex G., The Great Dismal showcases yet another essential side of the band’s trademark American Post-Shoegaze.
What do you do when one of your best friends gets diagnosed with cancer? How do you handle losing someone close to you?
Vægtløs are trying to wade into questions like these on their upcoming album, which solely includes songs about people close to the band who died or suffered deadly diseases.
Vægtløs focuses on a vulnerability and openness that are lacking in the music scene, but also in society, in general. Life is fleeting and fragile, and Vægtløs is a bridge to gap between the monumental emotional dread underlying the fact that all beauty will eventually die and the cathartic strength found in music.
Vægtløs are scene veterans coming together for their love of everything emotionally heavy, passionate, honest and sincere. The band is not afraid to wear their heart on their sleeves and paint a scenery of the remote and primitive Nordic landscape that is both silent and loud.
In these immensely bleak times, the need for melancholic and desolate music has never been greater. Vægtløs pours every last bit of passion into their aggressive yet emotional music which can be described as intense and atmospheric post-metal with hints of black metal, post-rock, post-hardcore, and emo, eventhough it is not a distinct variation of neither of those, but a mutated multifaceted modificaton of the sum. Musically the band never took any notice of trends and genres, as the band draws inspiration equally from life as from art and music.
