Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.
Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.
We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.
The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.
Only nine months after her momentous debut solo album Ekhidna, the guitarist is back fronting her trio. With their previous album, Smells Funny, this explosive and expansive trio experienced a breakthrough of sorts, having gone from strength to strength through five albums since their 2011 debut Shoot!, gathering respect from both rock and jazz camps, sharing big stages with the likes of John McLaughlin and Black Sabbath, and being equally comfortable on jazz and rock stages. Hedvig enforced this breakthrough with Ekhidna, appearing on both jazz and rock best of 2020 lists, like coming in third in Prog ́s “Album of the Year” poll. She was included in Downbeat ́s “25 for the future” and received heaps of international attention and great reviews.
With the hypnotic title track, the spacious ballad Four Candles and generally a more varied mood, Ding Dong. You ́re Dead. is the trio ́s most dynamic album to date. That said there ́s still enough solid and creative riffing here to satisfy the headbangers, as well as the jazzheads, as they further explore the free and open landscapes most notably started with their Black Stabat Mater album and continued with Smells Funny. As Nate Chinen wrote about "Black Stabat Mater" in JazzTimes: Her trio, which has Ellen Brekken on bass and Ivar Loe Bjørnstad on drums, caught my ear then with its audacious style references: the loose swagger of early Black Sabbath; the density and prowl of peak Led Zeppelin; the expeditionary urge of Jimi Hendrix; the incantatory fervor of John McLaughlin.
As recent performances have shown, online and in the flesh, this trio radiates confidence and have become a surefire hit on the Norwegian live scene. And while we rightly praise Hedvig ́s exceptional abilities, let ́s not forget how important the rhythm section is to make it all work so well. Ellen Brekken is an accomplished bassist, driving the band just as hard on the electric bass as on the acoustic. Then there ́s Ivar Loe Bjørnstad, not your regular rock drummer, not your regular jazz drummer, but in possession of the loose swagger mentioned above.
Hedvig first picked up her mother ́s acoustic guitar at ten, before discovering a whole new world through her father ́s jazz and rock record collection as a teenager. She was given her first electric guitar and amplifier as a confirmation present. Hedvig met Ellen and Ivar at the Music Academy in Oslo and asked them to join her after she received the Young Jazz Talent of the Year award at Molde International Jazzfestival in 2009. They have stayed together since, and all previous albums have been released on Rune Grammofon; Shoot! (2011), All Of Them Witches (2013), Enfant Terrible (2014), Black Stabat Mater (2016), Evil In Oslo (2016) and Smells Funny (2018), all to wide international acclaim.
BRUNSTEN
Noisy, sludgy rock played at a db level that will make our neighbours love us even more than they already do! Good times!
