Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.
Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.
We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.
The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.
With the human visual field spanning 120 degrees the Copenhagen-based trio of Dirt Forge brings you the full 360. Heavy guitar riffs, chords and odd time signatures whirling around in a vortex of soundscapes, synths and interchanging roles of the instruments drag the listener through a lyric world of human flaws and inadequacies. Circling around progressive song writing there are no do’s/don’ts in the world of Dirt Forge – only ventures into the void of musical exploration. A few years short of a decade of existence the band is on the verge of coming down with their second full-length album. Having spent most of the time in the wake of debut album Soothsayer touring – including stages at Children of the Sun Fest, When Copenhell Freezes Over, Sankt Hell and the famous Roskilde Festival – both domestic and foreign venues and playing shows with the likes of Dopelord, Crowbar, Church of Misery and Monolord, as well as a german tour with Sweden’s Mustasch, they have come around to record their third opus, once again with the skilled Chris Fielding (Conan, Boss Keloid, Primodial) at the helm.
Somewhere in the neverland between post-rock/metal, shoegaze and psych infused doom, Late Night Venture has cultivated their very own mix of 7 string drop-tuned riffs, blasting dystopian drums, vocal elements ranging from a quiet whisper to screams of desperation and the integration of unearthly synths and field recordings. Thus the music of LNV can be described as the soundtrack to a post-apocalyptic yet beautiful dream. Having spent more than a decade recording, continuously evolving their sound and touring, – including slots at Dunk! Festival, Copenhagen Psych Fest, A Colossal Weekend etc and sharing stages with the likes of This Will Destroy You, Ufomammut, Bossk, Toundra and many others, the current edition of Late Night Venture is a highly experienced, efficient and mesmerizing live act.
Kollapse are a trio from Denmark who play visceral and haunting music that is uncompromisingly personal and filled with despair. Passion and intensity are the driving forces of the band and they have always shied away from any specific music scene or genre. Informed by expressionist art, existentialism, and living in the northern part of Scandinavia, Kollapse has continuously incorporated desire, grief, and the inherent human need to scream at an empty existence, into their music. Their music follows the paths carved by the likes of Edvard Munch, Carl Th. Dreyer, and Stig Sæterbakken and their brutal realism. Kollapse are not offering any half-hearted solutions or postmodern irony; instead, the band reaches out into the world with bloodied and coarse hands. The band has been haunting the European music scene for a long time and have played a long line of intense show in countries like Germany, Estonia, England, Denmark, Norway, and Sweden. The band released their 2nd album, Sult, on June 25th, 2021 through Fysisk Format. The album garnered a slew of extremely good reviews and ended up on various ‘best of 2021’-lists. In September 2022 the band began recording their follow-up album to Sult at Dead Rat Studios with Jacob Bredahl as producer- the albums i set to be released in the summer.
