Aalborgs legendariske aktivitetshus og spillested, 1000Fryd, er lukningstruet og har brug for din hjælp! Som følge af en naboklage skal huset gennemgå en massiv renovering, der løber op i flere millioner, og de penge har 1000Fryd ikke.
Stedet har de sidste 40 år haft uvurderlig betydning for Aalborg som by og for alverdens musikalske undergrundsscener både nationalt og internationalt. Det hele er båret oppe af de hundredvis af frivillige ildsjæle, der igennem årene har engageret sig i og udviklet sig med stedet.
1000Fryd er vigtigere end nogensinde og vil gøre alt for at overleve, men vi har brug for din støtte.
Vi modtager ethvert bidrag med kyshånd og er evigt taknemmelige for jeres hjælp.
Vil du donere direkte, kan det også gøres via bidrag til vores bankkonto på 1551-4930179574. Husk at skrive, hvem afsenderen er.
Alle som donerer, uanset beløbets størrelse, kommer på vores store takkeliste i porten.
❤️1000Fryd
Aalborg's legendary activity house and venue, 1000Fryd, is in danger of closing and needs your help! As a result of a neighbor's complaint, the house must undergo a massive renovation that costs several million, and 1000Fryd does not have that money.
For the past 40 years, the place has been of inestimable importance for Aalborg as a city and for many different underground music scenes, both nationally and internationally. All made possible by the hundreds of passionate volunteers who over the years have engaged in and developed with the place.
1000Fryd is more important than ever and will do everything to survive, but we need your support.
We welcome any contribution and are eternally grateful for your help.
If you want to donate directly to us, it can also be done via a contribution to our bank account on 1551-4930179574. Remember to write who the sender is.
Everyone who donates, regardless of the size of the amount, will get its name our big thank you list in the gate.
❤️1000Fryd
Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!
We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.
As a child, Toni Cutrone aka Mai Mai Mai followed his parents around Europe and the Near East, ending up in the south of Italy, assimilating different cultures, atmospheres and sonorities of the places he was involuntarily taken to. These sensations and sounds were intense enough to leave indelible traces in his music, but Roman noise omnivore Cutrone own decade-plus experience in the Italian underground has doubtless played a role as well .
Each and everyone of Mai Mai Mai poisonous, punishing electronic miasmas are named after characters of the Greek alphabet, beginning with Theta (Boring Machines, 2013) and followed by ????? (Delta) (Yerevan Tapes, 2014).
? (Phi) is the third and final installment in his Mediterranean trilogy, pushing the project deeper into a vivid interzone of digital synthesis and scorched ritual, out November 2016 on Not Not Fun Records and Boring Machines.
Since their inception, Gnods musical trajectory has been one of constant fluctuation borne out of an incessant need to discover new sonic worlds. Beginning life as a shamanic drone ensemble, at times fitting up to 15 members on stage, these early rituals informed the core ideals that have come to define the group in their years of activity; community and trance-inducing repetition. Throughout a discography that has amassed dozens of CD-Rs, cassettes and vinyls for labels like Rocket Recordings, Trensmat, Krokodilo (Blackest Ever Black) and their own Tesla Tapes imprint, a restless yet organic need mutate their music into new realms has had critics clawing for comparative touch stones. Acts as far ranging as Hawkwind, Popul Vuh, Pan Sonic, Sunburned Hand of the Man and Pharaoh Sanders have all been referenced in attempt to pinpoint their output, one that has historically never aped any genre but with each record furthered their own unique place in truly independent music. It is the exact same dedication to the live arena that has seen Gnod become one of the most celebrated live bands in the UK and secured them multiple tours and festival appearances throughout Europe. In these times of cash in hand glory days reunions and bands simply rehashing their recorded material pitch perfect live, Gnod are a stark and welcome anomaly. Already moving on from the barley released and universally acclaimed epic Infinity Machines, the current live incarnation of the band is characterised by a crushing, cataclysmic new protest music whose call to arms gravitas offers a meaningful defiance to Camerons Austerity Britain. Gnod have taken their very namesake and charged it with bludgeoning new edge that is as euphoric as it is nihilistic. It is one that stridently attests to the groups spiritual center, one of community that is inclusive and respectful of its audience yet will never placate to their expectations. Instead, Gnod offer a gateway to an aural black hole and along with firm guiding hand, the opportunity to dive head and body first into a powerfully new psychedelic maelstrom full of possibilities.
If 2henning (CH) would write a manifesto, it would read: Experimentation is our drive! 2henning is intense and wild as a mountain stream. With loops, noise, synthesizer, self-made samples, subtly nuanced grooves and distinctive vocals the two musicians create their moving music. Something between avant-garde pop and indie jazz. I beg your pardon? Exactly, 2henning does not care about genres. Because the second point in the manifesto would be: the stereotype belongs to the past.
Rahel Kraft, voice, synthesizer, electronics
Valeria Zangger, drums, electronics, voice