Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.
Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.
Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd
We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.
The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.
There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd
Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!
We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.
An example of British kitchen sink realism, it was considered daring in 1964 as it touched upon homosexuality, however obliquely. Reviewers have noted that it contains naturalistic photography and period locations such as the Ace Cafe.
The film is based on a novel commissioned by the London literary agent and publisher Anthony Blond,[5] who suggested that Gillian Freeman write about a "Romeo and Romeo in the South London suburbs
The Plot:
Young, rebellious Englishwoman Dot (Rita Tushingham) escapes her dull family life by impulsively marrying bike mechanic Reggie (Colin Campbell). Their union, however, begins falling apart almost immediately, particularly after Reggie meets handsome young mod Pete (Dudley Sutton). The two men spend a lot of time together, leaving Dot all by herself. Their marital strife comes to a head when Reggie realizes that his interest in Pete isn't entirely platonic.