BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd


SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Sunday the 14th of June 2015 / kl 16:00 / GRATIS entre
Sunday Movie Matinée:
Hatchet for the Honeymoon

Hatchet for the Honeymoon (Italian: Il rosso segno della follia / The Red Mark of Madness); also known as Blood Brides and An Axe for the Honeymoon) is a 1970 Italian giallo film directed by Mario Bava and starring Stephen Forsyth, Dagmar Lassander and Laura Betti.

AllMovie called it "a must see for those who love the genre and admire stylish horror films."

Tim Lucas, author of the critical biography Mario Bava: All the Colors of the Dark, calls Hatchet For the Honeymoon "Mario Bava's most personal horror movie" and states "Time has shown the film, initially misunderstood and considered one of Bava's lesser works, to be startlingly prescient, pointing the way for Mary Harron's film of Bret Easton Ellis' American Psycho in particula.

The Plot:

The film is about a series of murders committed by a sexually charismatic but impotent man who owns a bridal shop. Alienated from his wife because of his failure to consummate the marriage, he kills women dressed in his bridal gowns. He disposes of the bodies in an incinerator. The police suspect him, but have no evidence. After he eventually kills his wife, her ghost appears and informs him that she will never leave his side.

Attracted to one woman, Helen, he tries to resist her, but eventually takes her to his bridal room. While there, his inner struggle comes to a head, and it is revealed that in childhood he murdered his own mother to stop her from marrying again. Helen fights him off, and the police enter. As he is taken away, his wife's ghost reappears and tells him that now she will only be seen by him, and they will be together forever.

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