BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd


SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Wednesday the 17th of June 2015 / kl 19:00 / GRATIS entre
Documentary Evening:
The Celluloid Closet

The Celluloid Closet is a 1995 American documentary film directed and written by Rob Epstein and Jeffrey Friedman. The film is based on Vito Russo's book of the same name first published in 1981 and on lecture and film clip presentations he gave in 1972–82.

This documentary highlights the historical contexts that gays, lesbians, bisexuals and transgenders have occupied in cinema history, and shows the evolution of the entertainment industry's role in shaping perceptions of LGBT figures. The issues addressed include secrecy -- which initially defined homosexuality -- as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.

Synopsis

The documentary interviews various men and women connected to the Hollywood industry to comment on various film clips and their own personal experiences with the treatment of LGBT characters in film. From the sissy characters, to the censorship of the Hollywood Production Code, the coded gay characters and cruel stereotypes to the changes made in the early 1990s.

Vito Russo wanted his book to be transformed into a documentary film and helped out on the project until he died in 1990. Some critics of the documentary noted that it was less political than the book and ended on a more positive note. However, Russo had wanted the documentary to be entertaining and to reflect the positive changes that had occurred up to 1990.