Showing at 4 in the Peepshop.
From "Pregnant Resistance" by Lauren Bliss
Masao Adachi’s A Gushing Prayer (1971) figures the possibility for lived contradiction. The film was produced in the wake of the American occupation of Japan and its forced assimilation of Japanese society to Western values, yet it offers a cross-examination of the struggle against the occupation. This structuring is typical of Adachi’s work and thus, despite the historical specificities of this film, A Gushing Prayer is a prayer for us all. It asks: how is it possible to escape the perceived totality of history and of capitalism?