BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd


SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Wednesday the 23rd of September 2020 / kl 17:00 / GRATIS entre
Art Room:
Is it really ever really really really real? Or is real reality really just a representation? Really.

Facebook Event

Set in a heightened version of today’s world, 5 characters try to understand what it means to be real
when reality itself is a representation. Some interrogate their use of language while others question
the reality of their own bodies or thoughts. Always watching is The Child, forcing everyone to keep
busy and to successfully become successful human beings.
Concerned with the prevailing understanding of what it means to be a successful human being in our
culture and the negative consequences the ways we measure this success has on people’s mental
health, this exhibition traces vocabularies, desires, and actions through performance, diagrams,
drawings and large silk paintings.
Are our wants in life “real” or are they merely representations of the larger dominating structures of
the society in which we live?
Linnea Langfjord Kristensen (1991) is an artist, theatre-maker, researcher, and writer from Denmark
with an MA from The Royal College of Art, London. In different ways, her projects investigate the
production and distribution of meaning, realities, and languages, with special attention to the ways
in which narratives around “the meaningful” are embodied in everyday life.